Media Releases from Royal Ontario Museum
Prince Takamado Gallery of Japan
New permanent gallery presenting Japanese art opens December 26, 2005
A new gallery devoted to Japanese art opens on
Monday, December 26, 2005, signaling the completion of the first stage of galleries comprising Renaissance ROM, the Royal Ontario Museum’s (ROM) expansion and restoration project. The
Prince Takamado Gallery of Japan features many of the ROM’s outstanding collection of Japanese objects, including ceramics, porcelain, tea ceremony utensils, sculpture, prints and paintings, lacquers, and armour. This new gallery is located on the main floor of the ROM’s 1914 Philosophers’ Walk building,
Located near the original main entrance of the Museum’s 1914 building, the 3,000-square foot (270 sq. metres) gallery includes over 600 objects drawn from the ROM’s collection of Japanese art, the largest such collection in Canada. The
Prince Takamado Gallery of Japan is part of a suite of Far Eastern galleries that occupy the entire main floor of the Philosophers’ Walk building. Windows have been uncovered and high ceilings reclaimed, creating an open and bright new space for visitors to explore the art and archeology of Japan, China, and Korea.
“Japanese art embraces seemingly contradictory qualities: subtlety and boldness, balance and asymmetry. It is different, yet feels familiar,” said Klaas Ruitenbeek, Louise Hawley Stone Chair of Far Eastern Art and coordinating curator of the gallery. “The ROM’s fine collection of Japanese art has been locked away in storage for twenty-five years. It is no less than a revelation to see it now in this beautifully designed new gallery.”
Gallery’s main exhibits:
The
Canon Canada Inc Samurai Exhibit near the gallery’s entrance highlights the artistic tastes and superb craftsmanship of the
Samurai, Japan’s ruling military elite from the 12th to the 19th centuries. At the centre is a large palanquin, used as a carrying chair for a single passenger - usually a samurai Lady - during the Edo period (1603 – 1868). This enclosed wooden box is richly decorated with maki-e lacquer and ornate metal fittings. Surrounding this piece is a fine selection of armour made by joining together lacquered iron and rawhide plaques. The classic form of Japanese armour remained virtually unchanged from the 11th to the mid-19th centuries. Helmets were regarded as the most significant and symbolic component of Japanese armour. The gallery displays six, some with ornamental horns, signifying authority of high-ranking. Also on display are swords, elaborate mounts and sword fittings, and horse harnesses.
Four sections are devoted to Japanese Pictorial Arts, featuring
Ukiyo-e prints, scroll paintings, albums, and multi-paneled folding screens. A series of woodblock prints, known as
Ukiyo-e (literally meaning “Pictures of the Floating World,) are on display in the
Toyota Canada Inc. Exhibit of Ukiyo-e Pictures. This art form emerged in the 17th century as a unique expression of Japanese art and was often used for celebrity portraits of actors and leading beauties, but also for images of city life in Edo and the beauty of Japanese landscape. A stunning selection of prints by 18th- and 19th-century masters such as Harunobu, Utamaro, Hokusai, and Hiroshige demonstrate Japan’s remarkable achievements in the art of graphic design and colour printing. In the
Sony Exhibit of Painting, visitors can view hanging scrolls and hand scrolls in a variety of styles: colourful
yamato-e painting, austere ink painting, and Buddhist painting.
For more than five centuries, the Japanese Tea Ceremony has been used to cultivate a state of serenity and the pursuit of the beauty of refined poverty. Visitors can view the austere aesthetic of the ceremony in
Mitsui & Co. Canada Tea Ceremony Exhibit. Tea utensils are shown in an authentic setting on a tatami mat floor with a brazier for heating water. On the other side of the tea room visitors can view a representative collection of tea objects, many drawn from the Yamagami collection, originally belonging to Yamagami Soju (1873 – 1957), a master of one of the three principal tea schools in Japan. The Yamagami collection is the most complete tea masters set in any North American museum.
The creativity of Japanese artisans is illustrated in a series of Ceramics, dating from the 15th century to the present. In the
Linamar Corporation Exhibit of Ceramics, visitors can view the popular Japanese porcelain (Hizen ware), finely detailed and vividly coloured Kyoto and Satsuma earthenwares, and a selection of modern ceramics. Famous kilns for earthenware and stoneware had existed in Japan since early times, but the production of Japanese porcelain began only in the 17th century, relatively recent compared to China and Korea. Since the early 20th century, artisans have been fusing individual expression and Japanese traditional designs.
The
Exhibit of Religious Sculpture illustrates the two religions that have permeated Japanese life: the indigenous Shinto, which emphasizes the worship of nature, and Buddhism, which was introduced in Japan in the 6th century. The sculptures, dating to as early as the 7th century, are made of wood, lacquer and clay. This exhibit is generously supported by an anonymous caring company.
For more than 2,000 years, Japanese artisans used layers upon layers of sap extracted from the lacquer tree to protect and decorate objects. The
Maple Leaf Foods Exhibit of Lacquers offers visitors a glimpse into Japanese daily life through a series of beautifully decorated writing boxes, picnic kits, and smoking sets. Examples of
inro and
netsuke illustrate how lacquer was used in miniature format.
Inro, the small containers originally used to carry powdered medicine were often suspended by a cord from the sash of a
kimono, the traditional Japanese robe. A
netsuke, a miniature carved sculpture was attached to the cord to prevent the inro from slipping.
Other information:
In June 2004, during a formal reception in honour of Her Imperial Highness Princess Takamado of Japan, the ROM announced the naming of the new gallery of Japan in memory of the late Prince Takamado (1954 – 2002). Prince Takamado studied at Queen’s University in Canada and was known in his native Japan as “Canada’s Prince.” Through his work at the Japan Foundation, he traveled extensively, becoming one of the most visible and active ambassadors for Japanese art and culture around the world. The Prince Takamado Gallery of Japan celebrates his attachment to Canada and creates a lasting link between the two countries. On January 26, 2006, the ROM Governors and the Bishop White Committee will host a gala dinner to celebrate the official opening of the Prince Takamado Gallery of Japan. For tickets, please contact Kirsten Kamper in the Office of the ROM Governors at 416-586-8064 or email
kirstenk@rom.on.ca. Further information about this event and a list of supporters who made the gallery possible will be released shortly.
http://www.rom.on.ca/news/releases/public.php?mediakey=uvw26mcpvx