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Does anybody have any pics of the Earl and Countess of St. Andrews and their children? Thanks.
you're right about it!Originally posted by OniMichi@Dec 18th, 2003 - 10:47 pm
Yes, I think the Queen is one of the richest women in England as well, but even though she is the sovereign, I don't believe she is the richest. I mean...J.K. Rowling last time they reported which was about a year ago (and she's released a book since then, and she makes money every day from all the Harry Potter stuff....) had about $380 million, which was more than the "estimated" worth of the Queen, but like you said, we'll never know the true worth of Her Majesty...so who knows. But God Save Her! I love Her Majesty, who cares about the money.
The Queen's personal income, derived from her personal investment portfolio, is used to meet private expenditure. Her Majesty's private funds, as for any other individual, remain a private matter, but the Lord Chamberlain said in 1993 that estimates of £100 million and upwards were 'grossly overstated'.
The Windsor Private Estate and Royal Farm do not make any money for The Queen but are a net outgoing. Ventures such as the Windsor Farm Shop, launched in October 2001, provide employment locally and support the agricultural industry. Any profits from the Farm Shop will be used to support the running of the Royal Farms and Private Estates.
The Queen owns Balmoral and Sandringham, both inherited from her father. She also owns the stud at Sandringham (with a small amount of land in Hampshire). Her Majesty owns no property outside the United Kingdom.
Estimates of The Queen's wealth have often been greatly exaggerated, as they mistakenly include items which are held by The Queen as Sovereign on behalf of the nation and are not her private property. These include Royal Palaces, most of the art treasures from the Royal Collection, heirlooms in The Queen's jewellery collection and the Crown Jewels. The 'inalienable' items held by Her Majesty as Sovereign, rather than as an individual, cannot be disposed of by The Queen and must pass to her successor as Sovereign.
Her Majesty's generosity knows no bounds. In December, she agreed to pay £1m in rent from her own funds to allow Prince and Princess Michael of Kent to stay on in their apartment at Kensington Palace. It is also likely that she paid off the £4m overdraft of her mother, who died last year. With the death of her sister, Princess Margaret, as well, 2002 was a sad year for the Queen, brightened only by the golden jubilee celebrations. The Queen's actual bank balance might come as a shock to many people - it has never been as high as is generally believed. We assume that much of the Queen Mother's residual estate will have gone to the Queen, 77, but such asset wealth - maybe £15m - will not have made up for any falls in the Queen's investment portfolio, and we cut that to just £80m. Her personal properties, Sandringham, Balmoral, the royal stud and one or two houses, add £70m. Her own personal art is worth just £2m, against the £10 billion in the crown's hands. The royal stamp collection, jewels, cars and horses, plus the Queen Mother's legacy, should take her to £255m, but we lop off £5m for the cost of the Kents and clearing the Queen Mother's overdraft.
Shaped by the personal tastes of kings and queens over more than 500 years, the Royal Collection includes paintings, drawings and watercolours, furniture, ceramics, clocks, silver, sculpture, jewellery, books, manuscripts, prints and maps, arms and armour, fans, and textiles. It is held in trust by The Queen as Sovereign for her successors and the Nation, and is not owned by her as a private individual. Curatorial and administrative responsibility for the Collection is held by the Royal Collection Department, part of the Royal Household.
The Collection has largely been formed since the Restoration of the Monarchy in 1660. Some items belonging to earlier monarchs, for example Henry VIII, also survive. The greater part of the magnificent collection inherited and added to by Charles I was dispersed on Cromwell's orders during the Interregnum. The royal patrons now chiefly associated with notable additions to the Collection are Frederick, Prince of Wales; George III; George IV; Queen Victoria and Prince Albert; and Queen Mary, Consort of George V.
The Royal Collection is on display at the principal royal residences, all of which are open to the public. Unlike most art collections of national importance, works of art from the Royal Collection can be enjoyed in the historic settings for which they were originally commissioned or acquired. Much of the Collection is still in use at the working royal palaces.
The official residences of The Queen have a programme of changing exhibitions to show further areas of the Collection to the public, particularly those items that cannot be on permanent display for conservation reasons. The Golden Jubilee of Her Majesty The Queen will be marked by the creation of two flagship exhibition spaces at Buckingham Palace and the Palace of Holyroodhouse.
Loans are made to institutions throughout the world, as part of the commitment to make the Collection widely available and to show works of art in new contexts. Touring exhibitions remain an important part of the Royal Collection's work to broaden public access.
Over 3,000 objects from the Royal Collection are on long-term loan to museums and galleries around the United Kingdom and abroad. National institutions housing works of art from the Collection include The British Museum, National Gallery, the Victoria and Albert Museum, the Museum of London, the National Museum of Wales and the National Gallery of Scotland.
The Royal Collection is the only collection of major national importance to receive no Government funding or public subsidy and is administered by the Royal Collection Trust, a registered charity. The Trust was set up by The Queen in 1993 under the chairmanship of The Prince of Wales, following the establishment of the Royal Collection Department as a new department of the Royal Household in 1987. Income from the public opening of Windsor Castle, Buckingham Palace and the Palace of Holyroodhouse and from associated retail activities supports curatorial, conservation and educational work, loans and travelling exhibitions and major capital projects. These projects include the restoration of Windsor Castle after the fire in 1992, the rebuilding of The Queen's Gallery at Buckingham Palace and the construction of an entirely new gallery at the Palace of Holyroodhouse.
The Royal Collection, one of the finest art collections in the world, is held in trust by The Queen as Sovereign for her successors and the nation. It is on public display at the principal royal residences and is shown in a programme of special exhibitions and through loans to institutions around the world.
The Royal Collection is the only collection of major national importance to receive no Government funding or public subsidy. It is administered by the Royal Collection Trust, a registered charity established by The Queen in 1993 under the chairmanship of The Prince of Wales. The role of the Trust is to ensure that the Collection is conserved and displayed to the highest standards and that public understanding of and access to the Collection is increased through exhibition, publication, education and a programme of loans.
These wide-ranging activities are funded by monies raised through the Trust's trading arm, Royal Collection Enterprises, from the public opening of Windsor Castle, Buckingham Palace and the Palace of Holyroodhouse and from retail sales of publications and other merchandise. Current projects funded through the Royal Collection Trust include the major expansion of exhibition space at Buckingham Palace and at the Palace of Holyroodhouse to mark The Queen's Golden Jubilee in 2002.
The Royal Collection Trust determines how the income generated should be used in pursuit of its stated objectives.
The Trust's primary aims are to ensure that:
the Collection is subject to proper custodial control;
the Collection is maintained and conserved to the highest possible standards;
as much of the Collection as possible can be seen by members of the public;
the Collection is presented and interpreted so as to enhance the public's appreciation and understanding;
appropriate acquisitions are made when resources become available.