The Ortiz goes to the opera and its arrogance goes "in crescendo".
Elconfidencial.es
The past Saturday 25 of November the Ortiz went again to the Campoamor theater of Oviedo to attend the representation of "Cosi fan tutte" of Wolfgang Amadeus Mozart. Thus they do all, it would be the translation.
The group of relatives of Doña Letizia settled in the Municipal Theater Box Seats; something habitual since Her Royal Highness detents the nobiliary titles of Princess of Asturias, Gerona and Viana, Duchess of Montblanc, Countess of Cervera, and Señora of Balaguer. The personnel of the theater assures that the arrogance of the clan goes in crescendo. In addition to see the spectacle at the cost of the Asturian contributors, they are every day more demanding and "estirados".
In this occasion, the group of guests to the theater box was formed by the sound technician Jesus Ortiz, father-in-law of Don Felipe, its present wife, Ana Togores, tiísima Henar Ortiz - ascended to industralist after running a store of decoration in Cangas de Onís -, his sentimental companion and two youngs of the saga. At the intermezzo, they enjoyed the private bar next to the municipal theater box. When the spectacle finished they interchanged impressions at the door of the theater; in petit committee because not a soul approached to greet them.
In honor to the truth, the most discreet of the group is Ana Togores, although, in more than an occasion, the spectators of the Campoamor have had to support the efusives samples of affection of their husband. The father-in-law of Don Felipe does not cut himself a bit before the respectable public; he exhibits cuddles, kisses, manitas and... all type of affection. She tries to stay in background while he attacks. Which supposes an extra spectacle in the heat of the representation.
As far as the tiísima "Henar", smiling like always from its clouded theater box upon the people. What would happen if these attitudes happened at the Real Theather Box?.
On the other hand Amanda Roocroft, excellent in its paper of Fiordiligi. The well-taken care of stage scene of Yannis Thavoris excited the public and it transferred it through the wonderful views of the napolitana coast of the XVIII century. Standing ovations and bravo.
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