Doña Cristina, when heel is put
We saw the other night it, in the one of the Telva prizes, and the truth is that this Infanta dazzles.
Doña Cristina comes appearing, one night to the year, in the one of the Telva prizes, yes, and the photo first from between all the illustrious awarded ones is always, by its stamp of much label and because its presence is a prize in itself, here and where it touches. They are those nights counted in which Doña Cristina puts heel
Days later, under noon sun, she was in a tribute to Alpaca Fernandez Ochoa, and it already went humbler of locker, but without losing that golden thing that it has, between the timidity and the elegance.
We went here, nevertheless, to it glosses nocturnal and mondaine of Doña Cristina, that is, that we do not lose ourselves. Of the two infants, Doña Cristina has been always most modern, that it is like saying youngest. Doña Cristina the design restaurants concern to him, Catalonia, and a husband who was sport professional, Iñaki Urdangarín, whereas Doña Elena the bullfights of bulls concern to him, Seville and a husband, Jaime de Marichalar, that it spends fan and it goes of giant painted by the Greco to the parades fashionable of Paris.
Two infants who are not two Spain, but a little yes, and that, mainly, they are two ways to be in the world. The elegance of Doña Cristina comes more coined by the naturalness, and the elegance of Doña Elena comes more aupada in the adornment and until in the recargamiento, that often it abounds directly in the baroque style.
One remembers now, to give a concrete example, the day in which it appeared in a celebration of Telva, for now two years. It took modelazo in black, signed by Caprile, that it had left memorable. But I prefer to say that she was she who was memorable to the fine dress of Caprile. The secret of the elegance, or of the distinction, it is not to dress clothes company/signature, but to wear the clothes, that other, of different way.
It is not the clothes which dresses to us. It is necessary to dress the clothes. That one is the secret, that it fulfilled then and has fulfilled by these days esplendorosamente. The style is the personality, and not four rags to price from escape to the Caribbean. Brummel said it of another way: “ If note that I go dress correctly, it is because I do not go elegant ”. And the Coco Chanel said it of another one: “ the elegance is the skeleton ”.
I insist on all this because the elegance, or the distinction, I repeat, he is something that comes from inside, that is, an own language, and that does not give it, nor it does not clear it either, a millionaire rag, the firm Caprile, or Dior, or any other of the galactic ones of the fashion. To make matters worse of successes, that day very completed its appearance with detachable a Hollywood, let us say, and heel finished off the show wearing, that he is something that she does not use or uses rather little. I come to aim that, when this woman puts itself, it guesses right uproariously, with an image pulcra of sofi sticación, with the right ornato and the clothes solved in thinness, that the espartanismo of the elegance is something as well as, plus a single jewel, that usually it leaves joyón.
The cronistas that watch much to the ladies in these parades of the cut and preparation, cut and to noble preparation zone, that yes, the virtuosities usually weigh much and until baroque styles of their sister, infant Elena, as if Doña Cristina was always of trapillo, that sometimes yes it goes, but of trapillo of gold. But it is that, suddenly, Doña Cristina puts the closet above legs, it removes modelazo in full dress, and the princess becomes of the celebration, that lately usually she is Doña Letizia, go as it goes. One watches Doña Cristina, when the sum of fastuosa, and heel strip, that it is not often, and the glance can be lost in embeleso. The cronistas modistillas say then that “ goes ideal ”. One would say, modestly, that it is between musa of póster of Chanel and bellezón of the cinema, but in palace version. Let us say it of another way: to the black of its dresses it puts all the colors to him.